DISNEY back-tracks on EVERYTHING…



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48 thoughts on “DISNEY back-tracks on EVERYTHING…”

  1. I would agree I prefer the older animation over the stylized animation. The stylized is not bad and making some like that is a good idea but making the majority of the older animation type is just cleaner and easier to follow and in most ways far more realistic than the stylized. If everything goes stylized then how soon will they just start lowering the budget on the art and animation and then just claim it is the style of animation and you just don't like change.

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  2. The writing is the key. The characters matters to draw interest, but it's the story that people actually want in the end and what makes a successive movie. The first Guardians of the Galaxy movie is the best example as it's all about mostly unknown characters, but people liked the movie because it was fun to watch.

    Disney+ is failing only because they are making crappy stuff. If they had kept doing decent to great movies instead of bad to mediocre ones so would Disney+ be fine.

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  3. I feel like we need to get out of this no recasting rolls thing. spiderman franchise proves you can recast. they should have recast black panther for example. if RDJ is done, then recast Iron man. I would pick a recast ironman over iron heart any day of the week.

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  4. They is way to much LGBTQ nonsense and other virtue signaling coming out of Disney. Not to mention how consistently bad the writing has been since 2018 ( and the moment they bought Star Wars). I just refuse to watch it now as they are actively trying to destroy family values.

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  5. It's not about the characters, it's not about the quantity of movies, it's all about the fact that Disney is actively insulting men.
    When you weaponize entertainment no-one wants to watch.

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  6. Disney lost any support from me after I saw how they treated their park staff in 2019. "Oh we can't afford to pay you park staff, money is very tight we have to do layoffs. Meanwhile, here you go CEOs, billions of dollars in bonuses."

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  7. The fact your upset with characters no one likes and your suggestions are beating the old ones to death I'm going to disagree with you guys. I'm all for random characters and even them creating their own if that means leaving the comic book characters faithful to their CB interpretations. What they need is better writers Marvel hasn't been hiring comicbook fans for their writing department and that's why they've been terrible films. They need to reset the scope and expectations back down to the first phase, new leads to explore the other aspects of the marvel universe but without trying to tie it all in right away. Give us new foundations to build a new world of the MCU without using the old cast so these new characters had their own issues during the Infinity Saga, don't tell us show us. Vampires and Blade should have a few movies showing they've been successfully hiding from the rest of the MCU. Same with the Mutants and X-men they've been in the MCU the whole time so where were they, don't tell us show us. If they just put the Fox universe Cast in and say multidimension BS I'm completely done.

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  8. Focusing spectacle over substance can even be done by the same creators that originally created a masterpiece. The Lost World for instance was kind of spectacle over substance vs Jurassic Park. I like the movie, it's a good action film. But it doesn't really have the philosophical substance the original has, and Malcom is used and abused for his reactions to chaos, rather than us getting his analysis about the meaning of it all. The board room scene in Jurassic Park is master cinema, and it's just a room of people talking. In Jurassic Park the climax of the movie which is the Rex escaping, it's underpinned by the subplot which is that Nedry is stealing the dino embryos and he has to shut the Park off inorder to do it. Which leads to the Rex escaping, and that epic scene. The climax of Lost World which is the trailer going off the cliff, which is a cool action scene, doesn't have much plot going on behind it. They really did the scene as an excuse to have an intense climax, but it makes no sense why the rexes came back, or how Malcom knew they were there because it was silent. All that is within the same series with the same creators. That's nothing compared to the spectacle over substance that Jurassic World does, or what Disney has done with all of their IP's. It's interesting to me how things started to get worse decades ago.

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  9. Honestly, I kinda liked the first ant man movie and I think I could do with more of that character too, but once again, not GARBAGE WRITING but an actually well written script. He they actually do some interesting things with his powers and stuff and paul rudd is pretty fun as him, but once again it all falls down on bad writing.

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  10. Disney's best bet would be to introduce an alternate universe Iron Man, played by Tom Cruise and Jennifer Connoly as alternative universe Pepper Potts. And see if they can get Terence Howard to play alternative universe War Machine, finally getting him in the suit. Really, that was their goal in the first place, but RDJ got it. Now, and I can't believe I'm saying this, Cruise is back on top and RDJ hasn't had a major movie since 2019.

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  11. "From… 2016"
    The last time Marvel introduced new (non-legacy) heroes people genuinely liked long term was Power Pack, which started almost 40 (!) years ago. I'm very glad Power Pack is impossible to do in live action.

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  12. The reason Marvel is going to the less known characters for sequels is because more people know who Spiderman is, who Thor is, who Iron Man is, and they cannot introduce wokeness in them, but can in the less known without fans screaming.

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  13. I'd love nothing more than to love Star Wars enough to keep spending hundreds of dollars on each of my X-Wing and Armada fleets, and my Legion armies. Please, stop being blithering idiots and make me want to spend my money. It shouldn't be this hard to make nerds want to give you their money.

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  14. One can argue about needing Antman 1 and 2, as the premise for End Game (Scott being in the quantum realm during the snap, setting up the idea of directed quantum travel to go back in time).

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  15. I get the sense that Victoria Alonzo was more Feige throwing her under the bus. Rather than course correcting. I also have no faith that they will right the ship. They will need to do a lot more before I even begin to believe they are fixing it.

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  16. Talking about the lack of budget (eye candy) and requiring the writers to step up more reminds me of the Netflix marvel series Daredevil and Jessica Jones and Luke Cage and Punisher, etc, where they CLEARLY had almost no money at all for special effects but they still were compelling character dramas albeit a bit slow and boring at times, but fairly true to the source material. I could live with that if it was done well, but Woke writing can't really be done well by definition.

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  17. There were 100 hours of LOST, and I never stopped caring about any of those characters. In fact, fans didn't want them to introduce new characters, so they did so sparingly. If the characters are good, you don't need to "move on" after only 2 or 3 hours of content with them.

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  18. At this point I don’t care how much ass Disney kisses they can burn for all I care.
    1; they’ve gotten way to big and aggressive when it comes to purchasing and assimilating property rights from various studios.
    2; their support, and profiteering off of the ugly shit china pulls is unforgivable.
    3; they’ve pushed the woke shit too ling, and too far to be overlooked. If it was a couple bad movies followed by an apology and some good movies that would be one thing. But they had to spend 5 years doubling down with pushing gender studies on kids, and telling white men like me that we’re the source of everything wrong on the planet.
    4; they destroyed a lot of my favorite franchises, and I’m petty.

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  19. As far as the enjoying countless iterations of my favorite characters goes. At this point Hollywood has gotten so bad at beating a dead horse that I’ve developed fondness for closed character arcs.
    After a certain point no matter how good a story or character is, they reach natural conclusion and end on a high note, or they get relentlessly dragged through the mud until it’s just depressing.
    3 4 movies tops. Bring the series to a satisfying conclusion, maybe pass the torch in a way that seems natural. Then after 5 to 7 years you can think about a reboot.
    A mediocre star like Kurt Cobain goes out at the hight of his career, people don’t stop talking about him. A legend like Elvis plods along into old age and everyone remembers him as an overweight geriatric who died on the toilet.

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