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Home Page ā https://buff.ly/2W2OIlx
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RED Dragon-X ā https://buff.ly/3XvQjLx
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Piece To Camera Kit:
Canon R5 C (PTC) ā https://buff.ly/3Ig6hBd
Canon 24-70mm f/2.8 II ā https://buff.ly/3Dk7HuZ
Canon RF to EF Adapter ā https://buff.ly/3yZNgRl
Canon PD-E1 ā https://buff.ly/3Snj5dM
Sennheiser MKE 600 ā https://buff.ly/3k4GYHE
CueScript EMC15 Teleprompter ā https://buff.ly/3cVRWxj
Sachtler Ace XL Tripod System ā https://buff.ly/3sIoTDm
Aputure 200D ā https://buff.ly/3m9i0cY
Aputure Light Dome II ā https://buff.ly/37OyU8e
Amaran P60c ā https://buff.ly/3w2zbjl
Aputure B7c ā https://buff.ly/3TtLHDC
Studio / B-Roll Kit:
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Sachtler Video 18 S2 ā https://buff.ly/3yV1tNr
Zeiss Otus EF Set ā 28, 55, 85 ā https://buff.ly/3gaMHuC
Zeiss Milvus 100mm ā https://buff.ly/3CMYFUO
Aputure 600D Pro ā https://buff.ly/3AMP5zw
Litepanels Gemini 1Ć1 Soft ā https://buff.ly/3jUsbze
Aputure LS 60x ā https://buff.ly/3mpG1wg
Quasar Science Rainbow 2 Linear ā https://buff.ly/3CPyJbJ
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Chapters:
Intro ā 00:00
The History ā 00:20
The Sensor ā 01:31
The Frame Rates ā 04:19
The RAW ā 05:08
The Modularity ā 06:21
Should You Buy One? ā 07:46
Conclusion ā 08:45
#REDDragon #RED6KCamera #CineCameraRetrospective
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Let us know what you think of the RED DRAGON down below and if you want us to take a look back at a specific camera from years past, let us know below!
Iāve actually been looking at this camera on the used market – hopefully it doesnāt skyrocket in price now! š
informative 9 mins thanks CVP.
Such an amazing sensor! The media was the biggest reason I never invested in DSMC2. Happy with my Komodos though! Great video as always.
and I still cant afford it lol, at the price RED is asking for… it better be perfect…but in reality its not especially for the over priced accessories to even get the brain able to shoot on set
I still have my Dragon! Love it.
I still have two dragons sitting in the equipment room gathering dust… haven't used them in ages.
Maybe I should revisit them.
is this the same sensor as a scarlet weapon ?
the best like always
Awesome sensor. I edited and graded the pilot episode of a series shot on it, and I remember the director being livid seeing one shot appearing out of the camera completely overblown and unusable. I showed him how much we could get back with the R3D and the shot was used and director very happy. š
My all time favourite, 10 years old and still blows a lot of new camera sensors out the water.
i Startet withe the DRAGON – X Kit and upgradet it to Gemini.
The RED filming look was much more present on Dragon sensor. The Gemini is from feeling more like a Future proof camera with a non characteristic look. Super Noiseless and for every shoot the greatest way to go. Now you have the option to create your own look out of camera.
For me, DSMC2 is a perfect system and end product. So I would say my next camera will be a RED DSMC 2 again.
I absolutely love my dragon, picked one up last year for the price of a komodo when they were out of stock and in high demand. I was super happy with my choice, I had the chance to use the komodo a bit and found I definitely preferred the look of the dragon's sensor better. The komodo and also the raptor I feel have a much more crisp and "digital" feel, while the dragon's images felt much more cinematic imo. I would argue that it is definitely worth it even through 2023. Great video š
Jake. I have an issue with your title. Why would you say the dragon still produces a good image? You act as if you returned the camera to Red and they broke your sensor and returned it to you. If the camera isnāt damage why would it not still produce a good image. You YouTubers are titling these just for clicks and we get it. But come on. You title should be how the dragon still compares to todays red cameras. Thatās more accurate. Seeing these titles makes me not wanna click it
9 years ago. Holy shit
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To this day, dragon is one of the only red sensors I like. I shoot komodo as a b cam coupled with scarlet w dragon a cam. I prefer the image to Komodo and monstro
IFyou get a Red moncrome Dragon sensor in your handsā¦the best to film would be the a short documentary of Ukraine experienceās, but I guess thatās of of budgetā¦.But it would awesome in B&W /mono. Good luck to convince your boss;)
The V Raptor S35 is a more attractive option in my opinion
I also agree with you that this Dragon sensor is the best Red ever made. I love the picture come out from this sensor more than the new sensor in recent Red camera now.
Dragon truly is/was perhaps the most important sensor RED released. It was the sensor that many film focused DPs looked at very hard to transition further or fully to digital. Including myself. Dragon 8K VV also paved the way for Monstro and now Raptor. Very much a format I enjoy a great deal.
Better than Sony cameras all day
there is a well know but for ALL Dragon X cameras: if you set 6K full frame @ 50fps (timeline 25fps), you can't playback the video in camera! RED Know very well!
That basically sums up why I shoot on DSMC2. Great video as always!
Red has great cameras but 1) their holding the camera industry back with their stupid patents 2) once you get into their ecosystem they screw you over with inflated prices for accessories because itās āmade for Redā. I would love a red camera, but I donāt want to support them
I believe you. Just tell me where I can buy one for $2000 usd.
Awesome camera. Really nice. Performs well when next to the newer REDs like the V-Raptor.
Will you bring the Red V-raptor XL on the channel? With all types of tests footages along with it? Would love to see that.
Compared a used Dragon vs a Komodo, what would you say produces a better image?
there's just something about the DSMC 2 bodies that I prefer over the newer ones. When you're using it, you feel like you're using a true RED. The newer bodies (although the performance is amazing) just don't have that kind of feeling.
Redmags are still the dumbest product in the entire film industry