Great analysis, enjoyed it. For the second version of “Got to Get You Into My Life,” I had made the comment on your previous video that I thought it was a fuzz bass a la “Think For Yourself,” but as I am not a musician, just a fan/listener, you have the better judgment. Thanks again.
RM11 of Tomorrow Never Knows is notorious for having been accidentally used for the earliest UK pressings of Revolver. LPs with this mix fetch big buck$!
I enjoyed this discussion. I'm pretty much on par with both of your thoughts about the sessions. It definitely gives a deeper insight on how they constructed and refined their songs. And as you said they did it so quickly and worked and worked an worked on them. I think all these Beatles sessions makes me appreciate the final version even more as well as my songs I've written and/or collaborated with others. They made it look easy and I've been listening to these songs for 40+ years. lol My favorite of these sessions is George Martin discussing arrangements with the string players then talking back n forth with Paul. A great moment. I also enjoy the evolution of I'm only sleeping, Yellow Submarine, Love You Too, especially but all are relevant and important sessions.
I find it interesting that with the “sound effects” version of yellow submarine, they changed it slightly compared to the real love version, they changed the guitar strum to its similar mono/remixed version
An interview with John and Paul from March 1967 in connection with the Ivor Novello Awards confirms, re Yellow Sub, Paul's chorus was added to a song John was already working on. For your info!
I got the 2 CD set. And aside from the session tracks on that bonus disc, there's only a few others on the box set which I think are essential.
3:30 RM11 means 'Remix Mono 11' TJ 🙂
Great analysis, enjoyed it. For the second version of “Got to Get You Into My Life,” I had made the comment on your previous video that I thought it was a fuzz bass a la “Think For Yourself,” but as I am not a musician, just a fan/listener, you have the better judgment. Thanks again.
RM11 of Tomorrow Never Knows is notorious for having been accidentally used for the earliest UK pressings of Revolver. LPs with this mix fetch big buck$!
I enjoyed this discussion. I'm pretty much on par with both of your thoughts about the sessions. It definitely gives a deeper insight on how they constructed and refined their songs. And as you said they did it so quickly and worked and worked an worked on them. I think all these Beatles sessions makes me appreciate the final version even more as well as my songs I've written and/or collaborated with others. They made it look easy and I've been listening to these songs for 40+ years. lol My favorite of these sessions is George Martin discussing arrangements with the string players then talking back n forth with Paul. A great moment. I also enjoy the evolution of I'm only sleeping, Yellow Submarine, Love You Too, especially but all are relevant and important sessions.
RM = rough mix ….c'mon guys
I find it interesting that with the “sound effects” version of yellow submarine, they changed it slightly compared to the real love version, they changed the guitar strum to its similar mono/remixed version
I’ve said it before, and I’ll say it again! The Siskel & Elbert of YouTube!❤
RM is remix
Interesting that Ringo said his best drumming was on "Rain". I wonder if he knew it would be slowed down on release.
Great to see Robert!
An interview with John and Paul from March 1967 in connection with the Ivor Novello Awards confirms, re Yellow Sub, Paul's chorus was added to a song John was already working on. For your info!