RHS Garden Bridgewater – Boxing Day 2023 – Panasonic S5ii X – 6K V-log #s5iix #panasonic #rhs #vlog



Location – Occupation Rd, Worsley, Manchester M28 2LJ Worsley, Salford on the 25th May 2023

Other videos of the RHS Garden Bridgewater on my channel include –
https://youtu.be/WwDDIN8s9oI
https://youtu.be/LeYL5T_T-Rc
https://youtu.be/FUq60LFG05s
https://youtu.be/wfdkYdV7u9g
https://youtu.be/iv4SkHX7-Xc

Other Panasonic Lumix S5iix videos on my channel include –

Clifton Country Park – https://youtu.be/-AM069Ie5mk
Worsley – https://youtu.be/FAmPaDvtDCM
Salford Quays – https://youtu.be/vxqvGBYjpDE
Blackleach Country Park – https://youtu.be/cLI4uOjiNlE
Swinton – https://youtu.be/pgllLpoMxI4
RHS Garden Bridgewater – https://youtu.be/JnxeL8bud7M
Leeds Cat Cafe – https://youtu.be/k1wTEPxELN4
Leeds Corn Exchange – https://youtu.be/h2HsUpixiW0

Camera = Panasonic Lumix S5 IIX / S5IIX / S5ii x / dc-s5m2x / DC-S5IIX / S5 II X / DC-S5ii x –
https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-mirrorless-cameras/lumix-s-full-frame-cameras/dc-s5m2x.html

Lens = LUMIX S 20-60mm F3.5-5.6 / LUMIX S Lens S-R2060 –
https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-camera-lenses/lumix-s-lenses/s-r2060.html

Filmed in 6K (5952×3136 pixels) in a 17:9 aspect ratio
Framerate of 29.97p fps, and a bitrate of 200Mbps
Colour = 4:2:0 10-bit
LongGOP (H.265/HEVC
With LPCM audio

Other Panasonic Lumix S5IIX videos on my channel include –
Clifton Country Park – https://youtu.be/-AM069Ie5mk
Worsley – https://youtu.be/FAmPaDvtDCM
https://youtu.be/cLI4uOjiNlE

#panasonic
#s5iix
#vlog
#lumix

Captured in Cinema 4K (C4K 4096×2160 in a 17:9 aspect ratio) at 29.97 frames per second (fps) in the V-log Picture profile.

4:2:2 colour space in a 10bit All-Intra (All-I) mov file

V-log exposed between +2 and +3 stops over-exposed with -5 sharpness and -5 noise reduction.

White Balance set to 5600K with no colour bias.

Colour Space Transform (CST) applied in Davinci Resolve. Details below.

Exported as a 10-bit DNxHR file

Exposure controlled via shutter angle so most shots have a shutter angle of 11 degrees – 180 degress as no ND filter used.

Boost IBIS used for all static shots and manually focused.

As 422 10bit movs are not natively useable in the free version of Davinci Resolve I convert the movs to ProRes using FFmpeg –
https://ffmpeg.org/
With the below parameters –
-c:v prores_ks -profile:v 3 -c:a pcm_s24le -c:a copy

Davinci Resolve Colour Space Transform (CST) applied in the free version of Davinci Resolve with details below. Tweaks made in High Dynamic Range Colour logwheels on a shot by shot basis to match exposure. No noise reduction applied. I manually set the video clip attributes to Full Range before making adjustments.

Panasonic Lumix S5ii x V-log Davinci Resolve project settings and Colour Space Transform (CST) settings –

Project Settings – Colour Management Tab

Color Science = Davinci YRGB Color Managed
Color processing mode = Custom
Use seperate color space and gamma check box = unchecked
Input color space = Panasonic V-Gamut/V-log
Timeline color space = Davinci WG/Intermediate
Timeline working luminence = Custom 10000 nits
Outut color space = Rec.709 Gamma 2.4
Limit output gamut to = Output color space
Input DRT = None
Output DRT = Luminance Mapping

Then the three check boxes all checked
Apply resize transformations in = Gamma
Graphics white level = 100 nits

Color Space Transform settings –

Input Color Space = Panasonic V-Gamut
Input Gamma = Panasonic V-Log
Output Color Space = Rec.709
Output Gamma = Rec.709

Tone Mapping
Tone Mapping Method = None
Gamut Mapping Method = None

After the above minor tweaks made to offset and highlights in High Dynamic Range Colour logwheels.

Boost IBIS used for all static shots and manually focused.

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