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Wellingtonâs Victory, or the Battle of Vitoria (also called the Battle Symphony; in German: Wellingtons Sieg oder die Schlacht bei Vittoria), Op. 91, is a 15-minute-long orchestral work composed by Ludwig van Beethoven to commemorate the Marquess (later Duke) of Wellingtonâs victory over Joseph Bonaparte at the Battle of Vitoria in Spain on 21 June 1813. It is known sometimes as âThe Battle Symphonyâ or âThe Battle of Vitoriaâ, and was dedicated to the Prince Regent, later King George IV. Composition stretched from August to first week of October 1813, and the piece proved to be a substantial moneymaker for Beethoven.
Orchestration
Wellingtonâs Victory is something of a musical novelty. The full orchestration calls for two flutes, a piccolo, two oboes, two clarinets, two bassoons, four horns, six trumpets, three trombones, timpani, a large percussion battery (including muskets and other artillery sound effects), and a usual string section of violins I and II, violas, cellos, and double basses.
In the orchestral percussion section one player plays the timpani, the other three play the cymbals, bass drum and triangle. On stage there are two âsidesâ, British and French, both playing the same instruments: two side drums (englisches/französisches Trommeln in the score), two bass drums (Kanone in the score), two (four) ratchets, played by eight to ten instrumentalists.
The work has two parts: the Battle (Schlacht) and the Victory Symphony (Sieges Sinfonie). The first part is programme music describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses âRule Britanniaâ for the British side and âMalbrough sâen va-t-en guerreâ (âMarlborough has left for the warâ, also popularized today as âFor Heâs a Jolly Good Fellowâ) for the French side.[4] Beethoven may have elected to not use âLa Marseillaiseâ to represent the French forces, as Tchaikovsky later did in the 1812 Overture, perhaps because playing âLa Marseillaiseâ was considered treasonous in Vienna at the time.
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