Classical Musician's Reaction & Analysis: THE CODE by NEMO (Eurovision 2024 winner!)



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Sir Hairless reacts to the 2024 Eurovision winner, Nemo, with their song “The Code”

As always, let me know in the comments of any songs or artists you’d like to see next, or anything else!

Check out my other reactions here https://www.youtube.com/playlist?list=PL-tAjLxAAkA_-I6ATdEJNBCGtwGq8B2Zb

0:00 Preview
0:18 Intro
1:36 Reaction & analysis
14:28 Final thoughts

Special thanks to: Wadebowen Fan, Mary Hampton, *anon*, Anne-Marie Smith, Micah Olson, Shelley Oliver, Donald Quigley, Jas Pigot, Beverly Burch, William Flouro, Dónde está la biblioteca, Kat, Margo Bynon, David Bangston, Annette B, Margo Bynon, Dixie Burkhart, HDrider211, Rochelle Fisher, Laurie Reinertsen, Żaneta Kot-Skindel, Annika Ramhqvist, Anita Gupta, Ravyn, Russell McBride, Lana Simpson, Jewels, Lupe, Ms. Chuck Terry, Betsy Vondracek, Hans Flückiger, Kara L Joy, Coco Hol, peggy miller, Alan Hufstetler, Chris Hubbard, Jane McGee, Christopher Davis, Hitomi Ochiai, Dale & Carol Timberlake, Kat, Lisa Sharp, Emily D Civiletta, EmC, Becca Davis, Bettina Sade, Bonnie Deppen, Suzanne Damm O’Donnell, cofactorKarate, TJ in SC, Ellie Hartsfield, Panma, Linda, NoNo, Dorothy Rosenberg, Nanci Flesher, Judy Williams, thisismetoday7423, Stephanie M, Chris Torkildson, Anna Kilvert, Margaret, Shelley, judith l, Eirene-Rose Skywalker, Small Moments, Gerri Mesack, Paul Clark, Sally Kennett, Gerald, Stephanie Shifflett, Juliana Livingston, Mary Shields, Peter Hollens, Chris Searls, die weise Alte – L Lumia, Michael Butcher, Todd Chaffee, Ana Luíza Fonseca, Al itula, Linda A. Wingfield, Meg Athey, Natasha, LaRae, James Yang, Timothy Rudolph, Jamie Lane, Kimberly Kelly

#nemo #thecode #eurovision
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🔵 ATTRIBUTION 🔵
Eurovision Song Contest. Nemo. THE CODE. YouTube. May 11, 2024, https://www.youtube.com/watch?v=CO_qJf-nW0k

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source

50 thoughts on “Classical Musician's Reaction & Analysis: THE CODE by NEMO (Eurovision 2024 winner!)”

  1. This is the first video i see of you, and i'm really glad to see that you sir, really know what you are talking about and have a great knowledge of music and realize all of the things in the song. Rellay Great reaction!

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  2. hi sir, i hope you could do a delailed analysis for Forestella's Ko Woorim (STARS – Les Misérables) would love to hear detailed analysis from experts on his performance.

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  3. It's a wild ride! I saw it just after the winners were announced and it blew me away! Their "wha uh oh's" are very catchy. I love all the different elements in the music. You mentioned Sam Smith. In the beginning of the song, the tension felt and sounded like 'Unholy". I'm exhausted for them. LOL I'm so glad your friend mentioned this to you. A very enjoyable reaction! Thanks.

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  4. Very nice deconstruction analysis 😊 I loved this year's winner for their personality, message and voice, and I loved the mix of genres but I def appreciate this deeper understanding of the musical elements. Thank you very much ❤

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  5. Thanks for your analysis! As for “… somewhere between the 0s and 1s …”, I don’t hear the shift to major. For my ears it remains in minor, but Nemo might be playing with the pitch of the minor and major third here.

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  6. I really like how you look into every Detail of this Song❤. Do you want to listen to an also special live Performance? Listen to Jonathan Antoine singing "Unchained Melody "😊

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  7. Siento que voy a ser injusta, pero una imitación de Dimash, de melismas, acordes y dicotomías tan conocidas, aunque la letra sea propia y original. Me pareció que tanto lo llevó a menos. podría haber hecho algo más tierno y emotivo con los mismos pasajes pero me parece disonante entre lo que canta y lo que dice sentir. Es mi humilde opinión, no quiero ofender a nadie. Un fuerte abrazo de madre como siempre, gracias por otra master class. <3

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  8. Wow Sir, I thank you and your friend for bringing this amazing performance to share with us! It’s always wonderful to see a true artist using their charisma and stunning talent to create a piece of art that foments relevant discussion and reasoning, like this beautifully complex and touching performance👌I loved Nemo’s flexible singing style, the song message, choice of outfit, passionate facial expressions, incredible level of energy and voice control (even when jumping, running, spinning, sliding, etc on that instable swaying thing😅) I also loved your discussion on the intricacies of the music composition and its potential references/meanings – you always amaze me with your musical fluency🎶Thanks again & much love from Brazil❣

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  9. They were my favourite from the start. The song has all the elements to making a song huge and impactful. Very deserved win. Loved your analysis of it. Hugs from Sweden. I'm 52 btw, sometimes that adds to the comment in regards of experience, idk maby irrelevant ❤

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  10. As someone who is classically trained the control over their falsetto is insane and jaw dropping.

    also, as a queer man, I'm very happy for pioneers like nemo proving you don't need Good fashion to dress in gender f@@@ style XD

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  11. Well I hadn’t thought I’d find a classical musician reacting and commenting on Eurovision songs. This is AWESOME! I watch a channel called React to the K which is classical and jazz musicians reacting and commenting on Kpop. One of the reasons I enjoy watching and listening to classical musicians reactions and commentaries on music is that many times you all pick up things I missed or didn’t remember the language/terminology to describe (it’s been almost three decades since I was in band and I will say that every teacher I’ve ever had was right: “use it or lose it” is apt at how once it’s no longer a daily habit of using knowledge then it starts to get forgotten, not just with music and arts, but other things too: my French and Spanish comprehension continues to slip and I mishear things when conversing in those languages or when reading I can’t remember a word or words I come across without much more effort than I used to when I read/spoke more often in those languages).

    Great reaction and commentary! I like how you listen to half first and then stop and go back to discuss in more depth each section before moving forward and doing the same thing. It’s easy to follow your commentary that way. Thanks for making and sharing this video! I have subscribed to your channel to checkout your other videos and kinda hoping you’ll consider doing some other Eurovision songs this way, too (but only if there’s interest from your subscribers who’ve been watching longer of course).

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  12. I love, love, love the message that's being transmitted and I think his voice is awesome. Very sadly though, I didn't enjoy listening the listening experience ….. I'm so sorry 😞. For me, it felt manic, hysterical and almost out of control – almost. I'm guessing that this may have been the composer's intention.

    That said, I'd love to hear his other songs.

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  13. Great analysis. I watch a lot of reaction videos to experience as many perspectives as possible, and I really appreciate your breakdown with audio examples included to demonstrate your points to the viewers. Some reactions are just people watching, but there is real worth to your contributions. Thank you for sharing your expertise. Subscribed. ❤

    Reply

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