This Book Changed The Entire Direction of Comic Book Artwork!



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35 thoughts on “This Book Changed The Entire Direction of Comic Book Artwork!”

  1. I've a copy. Its dimensions steep the viewer in the art. All impressive. Though I'd seen Idyl in Heavy Metal, Jones's work was the biggest revelation for me here. Anyone remember the early 2000s when Jones was online and had webcams in her studio? That was cool.

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  2. Along with Roger Dean’s Views also published by Dragons Dream . This was a key book for me in the late 70s . I only bought it 4 years ago , reconnecting
    to my teenage self . Posters were
    also a big deal . Thanks guys

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  3. I gotta get that! Amazing artists. I wonder what street in Chelsea they were on. I was living on West 22nd Street at that time. I recently discovered that Upstart was on West 29th Street. That’s where Frank was drawing Daredevil, and Butch was probably drawing Micronauts.

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  4. I bought this when it came out and one thing that folks might forget is that there were basically no other books in "real " book stores at that time by and about current hot shot fantasy/comic artists. My art buddies and I bought up all of the Dragons Dream art books as they came out. I had no idea who Roger Dean was but I bought his book and soaked it all in. I think that the success of the Dragons Dream books helped to open the floodgates for tons of other mostly fantasy art books finding their way onto the shelves of the big mall book store chains across the country. Funny that you mention Vess, he was Kaluta's room mate at the time and spent a lot of time in the studio.

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  5. I managed to buy a copy signed by all four about 10 years ago including a signed bookmark. The magnificent foursome had visited the Forbidden Planet when it first opened on Denmark St London. An absolute treasured grail. My own reading copy bought in the early eighties is very fragile now.

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  6. The 70's had a dichotomy between consumer media developing cult and subcultural aesthetics everywhere, and the actual creators in nearly every instance taking a conscious approach of it being "just a job" and approaching those aesthetics as an acting or sales role, not as a distinct scene that they came up through or represented in principled fashion; creators often toe the line between that, but at the outset, to even have a scene you have to allow in a lot of kayfabe, and the Studio fits in that mold of trying to be a rock band, except with barbarians instead of guitars.

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  7. I'm usually a fan of these videos, but I feel you could've researched the artists and the work more. Though I'm sure you guys are fans, some of your comments were flip, ignorant and sounded like disses. The publishing company Dragons Dream was owned by album cover artist Roger Dean. Many of the Wrightson and Kaluta paintings were turned into posters by Land of Enchantment owned by

    Christopher Zavisa. Wrightson did a Frankenstein portfolio in 1977 and another in 1978, both which he also published himself through Tyrannosaurus Press. You guys just breezed through this one without much thought or information given.

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  8. I’ve got a copy. Owned it since I was in high school back in the 80’s. This book made me a huge BWS fan. Had the Roger Dean book as well but sold that years ago. Never getting rid of The Studio though!

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