The Black Paintings by Goya (Part One): Great Art Explained



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To understand Francisco Goya’s Black Paintings, we need to understand how he went from a popular well-loved royal portrait artist to painting deeply disturbing imagery on the bare walls of his house in total isolation.

In 1819, Francisco José de Goya y Lucientes, commonly known as Goya, was a successful and celebrated artist. Then suddenly, he withdrew from public life, left Madrid and the Royal Court behind, and moved into a farmhouse in the countryside.

His wife and most of his friends were dead and he had become isolated. He was 73-years old, sick, and completely deaf. His long life was coming to a close… BUT he wasn’t finished yet. The man who had once painted crucifixions, miracles, saints, and priests, now painted terrifying, demonic, raw and brutal works – works without even a hint of God.

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CREDITS

SUBTITLES
I input the English subtitles myself but I rely on volunteers to do subtitles for other languages and I really appreciate it – just contact me at [email protected]

Title Sequence by Brian Adsit (instagram https://instagram.com/brian_vfx?utm_m… and Behance www.behance.com/badsit88)

Special thanks to Drone Footage (Madrid aerial shot) – a brilliant YouTube channel (please subscribe) that allowed me to use some of their beautiful footage – https://www.youtube.com/channel/UCKoK

All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel do not claim any right over them.

FILM CLIPS
Napoleon Footage Ⓒ Gaumont Films
Reign of Terror Ⓒ Eagle-Lion Films

BOOKS
Goya: A Portrait of the Artist by Tomlinson and Janis
Goya by Rainer & Rose-Marie Hagen
Goya by Robert Hughes
Goya`s Graphic Imagination by Mark Mcdonald, Mercedes Cerón–peña, et al.

MUSIC
Asturias by Isaac Albéniz

Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

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49 thoughts on “The Black Paintings by Goya (Part One): Great Art Explained”

  1. I am so glad you decided to cover these paintings in your videos. These paintings get to me in the same way that Turners final paintings get to me and the same way that warren zevon's and gil Scott heron's last albums get to me. It's total contemplation of not just "the end" but the totality of life lead up to that end. Those things most on their minds, the way they see and relate to life, and how they are dealing with death.
    I use to work as a janitor/custodian in hospitals, mental institutions, and hospice and it always amazes me how art and music was a person's way of exploring their own thoughts and feelings on things beyond what they could communicate with words.
    There is so much to unpack in these paintings and you are doing an amazing job of it.

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  2. Thanks for making art history and appreciation so accessible. Looking forward to part 2.
    For a future subject, I’d like to learn about Mucha’s art nouveau and its intersection with art deco

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  3. My Lord… This channel is so underrated! Your videos have added so much richness to my life and how I view the world. Being a patron is the least I can do to retribute. Thank you, James!

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  4. I did some analysis on 'The Folly of Fools' the etching with 4 cows floating in a void. I hadn't seen many of thr other Los Caprichos, but man are they wild. De Goya's etchings seem so modern in their depictions and are endlessly interesting. Particularly love all the donkey humanoids. I wonder if Hans Christian Andersen was inspired by them, idk if he would have seen them

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  5. Thank you very much for this video! The way you approached Goya's work reminded me of the artist José Clemente Orozco and the way he captured the horrors of the Mexican revolution on his canvas. I hope that in some other video you can talk about Mexican muralism.

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  6. I have such a hard time looking at Goya's Kronos painting. The eye contact it makes is so powerful and unsettling, and you know Goya wants you to imagine being the eater or the one who is eaten

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  7. As someone who loves videos on art and artists, no one does this better than you. Your hard work and attention to tone, sequence and how much information to provide your viewer is so good that it can be taken for granted. Here in the States we are so accustomed to the Ken Burns approach (which has its place) that to see something WITHOUT talking heads or self-indulgent tangents is not only a breath of fresh air, but so appreciated. Know that there are many of us who appreciate the hours of editing and perfecting these gems and look forward to every one. I never know what you will tackle next but usually my response is "yes!" before clicking and watching. In a word: Bravo.

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  8. I don’t know for sure because I’m just too lazy to google 😂 but I’m pretty sure that Guillermo del toro (famous Director) took a lot of his inspiration from Goyas paintings. Someone did I just forget who

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  9. I recall requesting a Goya video from you quite awhile ago and I’m so happy that this is the path you have chosen to explore him. Excellent video!!! Anxiously awaiting the next installment

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  10. Hi I love your knowledge for the history of the arts.. And in all honesty I am intrigued by Goya, because of your narration of his past just now. The balance of the perception of light and dark in humanity, deadset got me intrigued. All because there it sticks within our humanity throughout time, always. I was just wondering why you called Fernando; Ferdinand??
    Just a simple question from a curious fan or arts. My brother's name is Fernando too, and we are from the Phillipines and have a Spanish background, obviously running though our veins. Thank you Grandparents.. so yeah, who or why Ferdinand?.

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