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Pie Jesu – Lili Boulanger ‘Nadia Boulanger – Conductor’
Composition Year: 1918
Performers: Janet Price – Soprano • BBC Symphony Orchestra – Nadia Boulanger – Conductor
Dedication: Nadia Boulanger
Recorded: 1968, Fairfield Halls, Croydon, UK.
Recording quality: High
Work:
00:01 – Pie Jesu
Lili Boulanger finished this Pie Jesu (1918) towards the end of her life, but “the first of Lili Boulanger’s sketches for the Pie Jesu are to be found in a composition book she used between 1909 and 1913.” As noted by her sister, Nadia, she dictated the work to her. Scholars such as biographer Léonie Rosenstiel and Olivia Mattis speculate that Boulanger intended to write a complete Requiem Mass but did not live to complete it. Scored for high voice, string quartet, harp and organ, Boulanger’s setting is sparse. Pie Jesu is the only surviving Boulanger text setting that uses an explicitly Christian text.
Biography:
Marie-Juliette Olga “Lili” Boulanger, (21 August 1893 – 15 March 1918) was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger.
Early years
As a Parisian-born child prodigy, Boulanger’s talent was apparent at the age of two, when Gabriel Fauré, a friend of the family, discovered she had perfect pitch. Her parents, both of whom were musicians, encouraged their daughter’s musical education. Her mother, Raissa Myshetskaya (Mischetzky), was a Russian princess who married her Paris Conservatoire teacher, Ernest Boulanger (1815–1900), who won the Prix de Rome in 1835. Her father was 77 years old when she was born and she became very attached to him. Her grandfather Frédéric Boulanger had been a noted cellist and her grandmother Juliette a singer.
Boulanger accompanied her ten-year-old sister Nadia to classes at the Paris Conservatoire before she was five, shortly thereafter sitting in on classes on music theory and studying organ with Louis Vierne. She also sang and played piano, violin, cello and harp. Her teachers included Marcel Tournier and Alphonse Hasselmans for harp, Mme Hélène Chaumont for piano and Fernand Luquin for violin.
Career
In 1912, Boulanger competed in the Prix de Rome, but during her performance she collapsed from illness. She returned in 1913 at the age of 19 to win the composition prize for her cantata Faust et Hélène, becoming the first woman to win the prize. The text was written by Eugene Adenis based on Goethe’s Faust. The cantata had many performances during her lifetime. Because of the prize, she gained a contract with the publisher Ricordi.
Nadia Boulanger had given up entering after four unsuccessful attempts and focused her attention on her role as assistant in Henri Dallier’s organ class at the Conservatoire, where Lili studied harmony, counterpoint and composition with Paul Vidal and Georges Caussade, under the Conservatoire’s Director Gabriel Fauré—the last of whom was greatly impressed by her talents and frequently brought songs for her to read. Boulanger was greatly affected by the 1900 death of her father; many of her works touch on themes of grief and loss. Her work was noted for its colorful harmony and instrumentation and skillful text setting. Aspects of Fauré and Claude Debussy can be heard in her compositions, and Arthur Honegger was influenced by her innovative work.
Illness and death
She suffered from chronic illness, beginning with a case of bronchial pneumonia at age two that weakened her immune system, leading to the intestinal tuberculosis that ended her life at the age of 24. Although she loved to travel and completed several works in Italy after winning the Prix de Rome, her failing health forced her to return home, where she and her sister organised efforts to support French soldiers during World War I. Her last years were a productive time musically as she labored to complete works. Her death left unfinished the opera La princesse Maleine on which she had spent most of her last years.
Boulanger died in Mézy-sur-Seine and was buried in a tomb in the Cimetière de Montmartre, located in the southwest corner of section 33 close to the intersection of Avenue Saint-Charles and Chemin Billaud. In 1979, her sister Nadia Boulanger was buried in the same tomb. It also contains the remains of their parents.
Wikipedia: Extended biography: https://bit.ly/3CnED3I
#Boulanger #Sacret #Voice #Orchestal #Soprano
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ATTRIBUTION
Music contained in this video is licensed to BBC Legends, 1999.
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