Kodak 2383 D60 LUT – Davinci Resolve Film Look LUT Panasonic S5IIX V-log – RHS Bridgewater 6K 10bit



A test of the Kodak 2383 D60 Davinci Resolve Film Look LUT (Creative LUT). This LUT is available in the the free version of Davinci Resolve.

Filmed with a Panasonic Lumix S5 IIX and a S 20-60mm F3.5-5.6 lens in Opengate 6K

The V-log to Rec709 via CST of this video is here –
https://youtu.be/ppWYZhrdwPg

Filmed at RHS Garden Bridgewater
Location – Occupation Rd, Worsley, Manchester M28 2LJ Worsley, Salford on the 25th Feb 24.

Filmed in 6K (5952×3968 pixels) in a 3:2 aspect ratio in the V-log Picture profile.
Framerate of 29.97p fps, and a bitrate of 200Mbps
Colour = 4:2:0 10-bit
LongGOP (H.265/HEVC)
LPCM audio

I applied the grade using the below as a guide –
https://www.youtube.com/watch?v=uwcItNYhOV4

Basically, add a primary adjustment serial node then add a V-log to REC709 serial node to apply a Colour Space Transform (CST). Details on the CST below. Then add another serial node to convert gamut to Cineon as this is the gamut the Kodak 2383 D60 Davinci Resolve Film Look LUT is expecting. Finally add another serial node that you apply the Film Look LUT too.

Color Space Transform settings used on Node 2 before Gamut changed to Cineon –

Input Color Space = Panasonic V-Gamut
Input Gamma = Panasonic V-Log
Output Color Space = Rec.709
Output Gamma = Rec.709

Tone Mapping
Tone Mapping Method = Davinci
Gamut Mapping Method = Davinci

V-log overexposed to 1.33 stops with -5 sharpness and -5 noise reduction.

Boost IBIS used for all shots. Manually focused.

Edited on a 4K Davinci Resolve timeline and exported as a 10-bit DNxHR file.

White Balance set to 5600K with no colour bias.

Exposure controlled via shutter angle so most shots have a shutter angle of 11 degrees – 180 degress as no ND filter used.

As 422 10bit movs are not natively useable in the free version of Davinci Resolve I convert the movs to ProRes using FFmpeg –
https://ffmpeg.org/
With the below parameters –
-c:v prores_ks -profile:v 3 -c:a pcm_s24le -c:a copy

Tweaks made in High Dynamic Range Colour logwheels on a shot by shot basis to match exposure. No noise reduction applied. I manually set the video clip attributes to Full Range before making adjustments.

Panasonic Lumix S5ii x V-log Davinci Resolve project settings

Colour Management Tab –
Color Science = Davinci YRGB Color Managed
Automatic Colour Management box = Ticked
Colour Processing Mode = SDR
Outut color space = SDR Rec.709

Other videos of the RHS Garden Bridgewater on my channel include –
https://youtu.be/WwDDIN8s9oI
https://youtu.be/LeYL5T_T-Rc
https://youtu.be/FUq60LFG05s
https://youtu.be/wfdkYdV7u9g
https://youtu.be/iv4SkHX7-Xc
https://youtu.be/ppWYZhrdwPg

Other Panasonic Lumix S5iix videos on my channel include –
Clifton Country Park – https://youtu.be/-AM069Ie5mk
Worsley – https://youtu.be/FAmPaDvtDCM
Salford Quays – https://youtu.be/vxqvGBYjpDE
Blackleach Country Park – https://youtu.be/cLI4uOjiNlE
Swinton – https://youtu.be/pgllLpoMxI4
RHS Garden Bridgewater – https://youtu.be/JnxeL8bud7M
Leeds Cat Cafe – https://youtu.be/k1wTEPxELN4
Leeds Corn Exchange – https://youtu.be/h2HsUpixiW0

Camera = Panasonic Lumix S5 IIX / S5IIX / S5ii x / DC-S5m2x / DC-S5IIX / S5 II X / DC-S5ii x –
https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-mirrorless-cameras/lumix-s-full-frame-cameras/dc-s5m2x.html

Lens = LUMIX S 20-60mm F3.5-5.6 / LUMIX S Lens S-R2060 –
https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-camera-lenses/lumix-s-lenses/s-r2060.html

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