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How I process Bass:
https://youtu.be/suXj2OICbaA
3 Simple Steps:
https://youtu.be/JdVP6RlTlnw
Steve Duda Bass Story:
https://www.youtube.com/watch?v=z3rDduXys5I
Noise Afterlife Sample Pack
https://noisesounds.com/pages/free
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https://drive.google.com/file/d/1ZLvzYl_msSjxVFxO_1m8WMFoGSJBdzcA/view?usp=drive_link
Good Ear Training Sources (not sponsored):
http://tonedeaftest.com/
https://muted.io/relative-pitch/
https://www.tonegym.co/
https://www.audiblegenius.com/buildingblocks
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I am a professional musician, songwriter and sample creator who brings the world of music theory into electronic music. I help and collaborate with producers, djs, musicians, rappers, singers and songwriters creating new music and I also create instrumentals & sample packs of musical licks, guitar stems and melodies
I hope that the musical information and licks I share help you in your music creations.
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you can download my tropical and deep house music guitar samples here: https://bit.ly/2MPv1s9
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cool song!
Oh boy. Right now, I am struggeling with my first mix and master bs while always looking at the red light. Thank you for helping me out!
This principle is so straight forward
Trusting your ears with good headphones
I have never thought of Ignoring the red in the digital realm
Now that you’ve explained it, it seems obvious lol
Gonna give this a go 🙏❤️
Hi Trance Master, I love this song, can`t wait until it finished…
Only being able to use headphones due to my living arrangements a little while back I started producing with a master chain active from early on in a project to get some gain into my cans,
I can't get a feel for EDM unless there's some headrattling going on…
And since I've adopted this technique it's not only making things fit together much better from the get go but also saving me all the rejigging later on once the format of a track is finished and it's time to finalise.
Learned a lot you’re a real one great video! 🙏
I usually start the creative process with hardware, so I'm not referencing at this stage. The big problem is sometimes I end up with something that is interesting, but it can be something I can't quite place genre wise and just have nothing to reference against when going into the DAW. Anyone else run into this, how would you approach this situation?
Over the weekend, I was thinking of asking if you could explain your mastering method in detail, then, lo & behold, your next video is exactly that! 😲
I love playing around with sounds and the whole process of making music, but the mastering of it has always felt like some sort of dark art that I couldn't possibly understand, which fills me with dread every time I get towards the end of the track. Your method seems to intuitively make sense thanks to your detailed explanation, and now I'm actually looking forward to testing this out!
You genuinely are one of the best (if not the best) teachers I've ever had the fortune to listen to! 👏
Wow
You just made everything so much easier. Thanks!
It all depends on how much is fighting for the low ends but I'll take it but with D&B you got to work hard 😉
Your timing is too perfect. Just this week I came to a very similar conclusion (stripping out all compressors and rebalancing starting on the lows). "Energy pool" is the best description. Just like in physics, no additional energy is created. The energy pool is all you have to work with.
Choooon!
Should I follow the general guidelines like leaving your kick to -6db or how does this work? Because without pushing the limiter on the master track then how is my kick ever going to be louder than -6db? Like let's say the song has a DJ intro and only the kick is playing, then it's not going to be very loud during that?
This video should be titled “All I'm offering is the truth. Nothing more”. Ben is like Morpheus from the Matrix, in music production! Forget the RED 🤟🤟🤟🤟🤟🤟btw, Yo Ben! 😃🤜🤛
"If you're not redlining you're not headlining"
I was applying compression to my arp today, I felt like logically I need it because my arp goes low and high, but it didn't make a world of difference, without compression it still sounded amazing so I wasn't sure if it actually did need it
I also watched a different look on this from a beat producer, he said when finishing a beat you shouldn't lose your head over mixing because the rapper will want the stems anyways and his voice will be put into the mix so all you need to do for a beat is basic leveling and eq, maybe some reverb depends ofc, make sure it hits hard, but only in a way to make people think the beat "goes hard", the goal shouldn't be a grammy winning mix, just a mix that presents what your mix is trying to say
Hello, and wait wait WAIT XD. I feel confused , should I start that process putting my kick at 0 db on the master channel? or take the starting point from the reference and Span? Please help. (Your tutorials are GREAT! 🔥
What's your thoughts on someone making music in a "bass music" genre without an actual focus on bass? Do you think it makes sense for bass itself to be more of an afterthought if being made by someone whose ears have always had shitty bass response (with the occasional rare day where I can hear bass properly) and as such never learned to focus on bass itself? I've been practicing to be an EDM musician but with more of a focus on the harmonic arrangement and its groove, with low end as my last concern.
Percussion and low end are always worried about AFTER I think about the melodic and harmonic content I'm working with. And I think playing to my strengths here probably(?) makes more sense than to try to force my brain to think about kick and sub choice before even getting to the meat of the arrangement.
I generally work with entirely placeholder percussion until I'm practically done, lmao.
Yes. Yes. Yes. I mix and master for a living, and this is fantastic information. The limiting factor (pun not intended) audio engineering is ear training and good sounding rooms. And modern budget full range speaker and stock plugins from any DAW are more than sufficient to make chart topping mixes from production to master. Good sound selection, arrangement, simple tools and taste make good mixes, all the hardware and shiny plugins in the world will not make any difference AT ALL!
that 02:30 was personal
Step 5: "Hopefully don't get stuck or bored after that loop has been on rotation for 8000 times"
Yea I never did get past this step. My tolerance for listening to the same thing over and over is way too low and it kinda sucks.
Ive never heard of anyone pulling their master fader down before mixing. That’s gonna cause all kinds of issues .
The concept was pretty clear the first time. To me anyway. I guess this can be considered a remix.
i wish this vid existed 10 years ago
lol I have never seen a YT tutorial instructing to pull down the master fader… this was still an interesting video though thanks..
YEEESSS I’ve been looking forward to this. Thank you!!! Great video. Tips I’ll surely try!! 🎧🤯 Love the summary at the end about compression. 🔥
Mastering engineers are MAD ah right now
so you bounce the track at +4 or 5 db in the red? I thought you needed 5db below the red for headroom while mastering. Interesting.
what do you thin about using this method for soulful hip hop / neo-soul and oldschool-hip hop?
a master limiter solves all the problems then you don't even have to think about the sub bass interacting, just choose a better sounding (or real) bass and never think about it. Just make it sound great as you work out the track. What I think about is that if it was a live improvised performance, then there would be no way to duck the bass, or do fancy tricks. So if you can make it sound like it came together on a live stage, you can make it sound amazing. Just think about those specific sounds melding in real life and make it sound like that . . boom instant good!
2:38 you are so right😬
Once again you've proved why your video's are the best on Youtube…….it's always a " I can't click on it fast enough moment " when i see a new video drop from Bthelick, top tutorial as per usual…… 🔥🔥
If you want to be a good dance producer, you should watch this video and then watch it again and again until you can recite every word from memory. You could also print it out and put it somewhere that will be seen by you often. I normally put printed stuff like this on the back of the bathroom door so I have something to read while on the throne. I learnt the circle of fifths this way. See you in the morning sir. Thank you.
Another great video! Just to note, i think the -14 lufs measurment for Spotify has more to do with their "Auto levelling" option in the app settings on some, but not all, platforms (my built in car app doesn't have it for example),in my tetsting this is usually on by default.
This is the advice I needed to hear at 9:30 Indeed if the master is at -12 or has a limiter or something you wont hear the problems and can't mix.
Interesting Vid will probably save me a lot of head scratching & chasing my tail, I have a mix I thought was as good as I could get it at the present time, and to save me working with so many clips I decided to export each group as a track & mix them, and to include the full mix print for some parallel power(still yet to discover if I get any cancellation happening or other issues) & so I can simplify the project & apply some other FX to the group prints, and introduce new synth parts as I've freed up some cpu/processing, for live dub type alterations, but I've been exporting 24bit no dither perhaps I need to do it again. I also wonder if I am creating more issues doing it this way, as for example some tracks/groups duck other tracks, but I'm soloing the groups and exporting, so they may not be being ducked or sidechained as I had them, so I'm in the process of checking those issues out and perhaps re doing the sidechaining on the new track prints. (RU Dan.W? you sound the same)
This process reminds me of a time about 7 years, a friend asked me why I like using LANDR. I told them when I upload a track, and set it to the highest loudness option, the result shows me what needs fixing in my track ie I can hear it distorting. I’ve realised now I could have been doing this in my own DAW all along! Thanks Bthelick as always, your content is incredibly helpful!
you mentioned at the end "turn off compressors/limiters, don't squish your non transient sounds".
what about sends? mainly the drum bus and main synths bus ? I've been using mild compressors and soft clipping on drums to glue the sounds together, and I like how it sounds?
what do you use on your buses? do you really not use any volume attenuation there and just fix everything with proper mixdown?
hi mr. bthelick could u please make a tutorial on neogrime genre. you might have seen same request from my another account. few artists are pholo, eone, gastah, gl00my.
Best music mate ever.
Wish I knew about this years ago🥲
Dear Mr BeTheLick, love your channel real knowledge here. Like you I have been teaching myself this over the past 10 years and sometimes still don't know what im doing wrong but like you say shit in equals shit out and its usually a wrong key , also input equals output . Being a dumb fl user I changed the sound driver instead of simply removing that hard clip tick . I thought I broke something 😅but I had done it before made those broken computer noises 😂watched the end of your video again and did the correct thing . So thanks for everything I didn't know that was the hidden limiter, I always thought people were talking about the fl limiter, so I used to remove that or not use it in empty projects. When I've made i ow you Douwe Egberts coffee jar . That stuff is brain massaging, haven't had that in awhile myself
Also I have an excuse I watched the video abit late at night 😅secondly holy moly I removed that limiter tick and my groove improves in the low end 🙃 there where random spikes even after cutting bellow 42hz , maybe something else changed idfk but the spikes are gone . It's that limiter was causing another phase shift that I only see on the spectograph ? Just hardcliping at 0db for fl studio phase shifts ?