Death and Disease: The Origins of Nosferatu



Nosferatu is an enduring classic that has stood the test of time for over 100 years. On Christmas Eve, we go through the rocky origins of how Nosferatu was created, how it came to be, and the cursed aftermath it left behind.

00:00 – Humanity & The Supernatural
01:45 – Introducing Nosferatu
03:16 – Nosferatu’s Origins
11:00 – Max Schreck
16:17 – Supernatural Ties
20:48 – Graverobbing
23:27 – Conclusion
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Video Credits:

Intro Music: https://youtu.be/HxfaUtna-oY
Epidemic Sound
Outro Music: https://youtu.be/hpPsS7BS4Z0

Sources:
https://silentology.wordpress.com/2019/10/26/the-strange-saga-of-nosferatu/
https://www.reddit.com/r/UnresolvedMysteries/s/kSUZqsKP1p
https://www.classicartfilms.com/nosferatu-1922
https://theconversation.com/more-disease-than-dracula-how-the-vampire-myth-was-born-16742
https://www.fangoria.com/nosferatu-blood-libel-and-the-jews/

Written By: Sep

This video was made for documentary, educational and informative purposes. We do not support or endorse any activity discussed in this video, and neither should you.

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49 thoughts on “Death and Disease: The Origins of Nosferatu”

  1. I got to attend a screening of Eggers' Nosferatu last night and personally I loved it. It's super creepy and atmospheric, the score is wonderful and Eggers' depiction of Orlok was pretty cool. Definitely check it out! Happy Holidays!

    Reply
  2. I’m sorry but if your first thought upon seeing Orlock was, that’s a Jew, then that says a whole lot about you as a person.
    Like that’s a freaky looking monster, you should be thinking What the hell is that thing? I never really thought of rats either. I just saw a very wrong, deformed thing that shouldn’t go together. I remember not being able to sleep after seeing him appear in that episode of SpongeBob as a kid.

    Reply
  3. You should work over, "The Birth of a Nation"! An American President screened it in the Whitehouse and segregated the government. He also made it illegal to read the Declaration of Independence… out loud. Progressivism!

    Reply
  4. hey i am a big fan of your channel love the retro style. when i saw the nosfeartu's poster i didn't feel much of the dread i guess i watched too much horror movies. still think in olden days how people would react

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  5. I like the original artwork for the film and it can be thought of as the start of the "shadow man" figure as part of modern paranormal lore. Its just used as a metaphor for defining the mirror image of goodness or "Godliness" which is part of what the original occultist movement was based on, even though it is highly debated over who was the original creator. Cool art and will remain timeless as will the beliefs that are associated with it …

    Reply
  6. AMAZING VIDEO DUDE! I'm so hyped to go see this new take on this story. The behind the scenes info about it has been fascinating. The new low light camera technology, The character development commitment, the voice training. I'm just very excited!

    Reply
  7. To be honest I don't think the notion of Max Schrek being some sort of "real" vampire ever existed until the premise was presented in the film Shadow of the Vampire, at least I had never heard of the idea until then and I have been an avid vampire/Dracula/Nosferatu fan since the 1970s.

    Reply
  8. I'm trying to get all of the old Silent Horror Films on Blu-Ray that I can find. I've even managed to see short, creepy films that was made WAY BACK in the 1890's.
    Nosferatu, Phantom Carriage, Haxan, Faust and more.

    Reply
  9. I’m so glad that this film did not remain lost I watched it a couple of years ago and I immediately felt its eerie aura but I thoroughly enjoyed it haven’t watched any of the remakes though so those are on my list

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  10. Occultism in Europe exploded exponentially after WWI. There were so many men who lost their lives in that war that many of their families would seek out esoteric mystics. That was ESPECIALLY true in the more well-heeled families of Europe.

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  11. 7:16– That one poster of Orlok sitting on the roof is so fascinating. As well as being painted as an intimidating presence, there's an understated but quiet melancholy to it, as if he's lamenting his own lost humanity. No matter how close he gets to people, his nature dooms him to the vestiges of civilization as a deathly living relic.

    Reply
  12. I have seen a 2k restoration of Nosferatu this summer. I was one of the first people to see it by chance since I've seen it in an outdoor cinema at the start of august and it released sometime in autumn. This version was also the first to have a czech between word oh however are those cards with text called so I cpuld actually understand it since I don't speak german. It was an experience to see it and now that I have learned more about this movie thanks to you I feel great. Thank you for this. πŸ˜€

    Reply
  13. Nosferatu from 1922 is one of my favorite films. Here in Brazil, we are releasing a comic book adaptation of the film, whose script I wrote, and the art was all done by hand, with brush and Indian ink.

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  14. I love the look of black & white film stock in those days (ortho, I assume for Nosferatu_) — didn't look like simply desaturated color film, it gives me the same vibe as old engravings or charcoal/graphite artwork, where without color, more basic elements are used to express ideas. Schreck's vampire-bat teeth were creepy but for me his claws were creepier; when I was a little child I saw a traditional Indonesian dance live, likely the "long fingernail" dance, and with the strange musical sounds and the long fingers, that spooked me at the time, when I was still a-scared of skeletons. The only thing about watching _Nosferatu is which musical score you get, there's different versions going around.

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