BACH – FANTASIA AND FUGUE IN C MINOR BWV 537 – ORGAN OF RIPON CATHEDRAL

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Jonathan Scott performs Johann Sebastian Bach (1685-1750) Fantasia & Fugue in C Minor BWV 537 on the Pipe Organ of Ripon Cathedral.
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Film & Sound
Tom Scott

Thank you to everyone at Ripon Cathedral

THE ORGAN OF RIPON CATHEDRAL

T.C. LEWIS 1878
Harrison & Harrison 1926 – 1963 – 2013

Pedal
Double Open Wood 32
Open Wood 16
Violone 16
Sub Bass 16
Lieblich Bourdon 16
Violoncello 8
Flute 8
Viole 4
Mixture III 15.19.22
Bombardon 32
Ophicleide 16
Tuba 16
Octave Tuba 8
Tuba Clarion 4

Choir
Lieblich Bourdon 16
Salicional 8
Lieblich Gedeckt 8
Flauto Traverso 8
Salicet 4
Lieblich Flute 4
Nazard 2 2/3
Lieblich Piccolo 2
Tierce 1 3/5
Mixture III
Clarinet 8

Great
Double Stopped Diapason 16
Large Open Diapason 8
Small Open Diapason 8
Flute Harmonique
Stopped Diapason 8
Octave 4
Coppel Flute 4
Octave Quint 2 2/3
Super Octave 2
Mixture IV 19.22.26.29
Contra Tromba 16
Tromba 8
Octave Tromba 4

Swell (enclosed)
Bourdon 16
Geigen 8
Rohr Gedeckt 8
Echo Gamba 8
Voix Celestes 8 TC
Geigen Principal 4
Rohr Flute 4
Flautina 2
Mixture II 12.15
Sesquialtera III 17.19.22
Oboe 8
Tremulant
Contra Fagotto 16
Trumpet 8
Clarion 4

Solo (enclosed)
Viol d’Orchestre 8
Concert Flute 4
Corno di Bassetto 16 (+ extra octave of pipes)
Orchestral Hautboy 8
Tremulant
Contra Tuba 16 (+ extra octave of pipes)
Tuba 8 (unenclosed)
Orchestral Trumpet 8 (unenclosed – horizontal)

Couplers
Swell to Pedal
Swell to Great
Swell to Choir
Swell octave
Swell suboctave
Swell unison off
Choir to Great
Choir to Pedal
Great to Pedal
Solo to Pedal
Solo to Great
Great Reeds to Choir
Solo to Choir
Solo Octave
Solo Sub Octave
Solo Unison Off

Screen Console and Nave Mobile Consoles

Accessories
Both consoles can be played simultaneously.
SCREEN CONSOLE:
Swell pedals to Solo and Swell mechanical.
6 thumb pistons each to Gt and Sw. 4 thumb pistons each to Ch and Solo.
Reversible thumb pistons in Sw keyslip: Sw-Pd, Ophicleide.
Reversible thumb pistons in Gt keyslip: Gt-Pd, Sw-Gt, Ch-Gt, Solo-Gt;
thumb pistons in Choir keyslip: setter, cancel.
6 combination pedals to Pedal,
reversible toe pedals: Gt-Pd, Ch-Pd, Solo-Pd, Sw-Pd, Bombardon.
8 general pistons above Solo keyboard.
8 channels each of generals and divisionals.
Drawstops: Gt reeds on Ch, Ped on Sw pistons, Gt & Pd combs cpld.,
Sw toe pistons.
NAVE MOBILE CONSOLE:
Swell pedals to Swell and Solo operating wiffle tree EP motors.
In Choir keyslip: thumb pistons for Cancel, 6 divisional, Ch-Ped (rev.).
In Great keyslip: thumb pistons for Sequencer +, 6 divisional, reversible thumb pistons: Gt-Pd, Sw-Gt, Ch-Gt, Solo-Gt.
In Swell keyslip: thumb pistons for Sequencer +(2), Sequencer -, Sequencer restore, 6 divisional, reversible piston to Sw-Pd.
In Solo keyslip: thumb pistons for Solo-Pd, 6 divisional, screen cancel.
8 general pistons above Solo keyboard.
6 toe pistons each to Pedal and to Swell, Sequencer +, Sequencer r,
reversible toe pistons: Sw-Gt, Sw-Pd, Gt-Pd, Bombardon.
Drawstops to: Gt Reeds on Ch, Gt & Ped combs coupled, Pedal divide,
Mans I/II exch.

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40 thoughts on “BACH – FANTASIA AND FUGUE IN C MINOR BWV 537 – ORGAN OF RIPON CATHEDRAL”

  13. I seamed to have missed this Bach piece in the past, a real pleasure, and has usual clearly defined stops no muddle so easy to hear all notes from all keyboard and pedals, many thanks once more Jonathan and Tom for your expertise with the sound and video.

    Reply

  16. I’m not sure why but every time I hear the fantasia the words “buried sweetly in your yellow hair” pop into my head. Great Performance Jonathan and excellent filming Tom!

    Reply

  19. I am amazed that Everytime I hear a Bach work, that he combines artistic expression and technical quality into a complete whole. It is as if the Lord God touched him in a special way, musically, so that every piece he composed was a masterpiece in its own right. I love listening to Bach because he soothes the soul, and, at the same time, is technically amazing.

    Reply

  21. Meu Deus, que beleza de execução! O J.S.Bach talvez ficasse com ciúmes do Jonathan. Como toca bem. Eu admiro a capacidade de tocar peças difíceis e com muita perfeição. Além da beleza das filmagens e do som feitos pelo Tom. Vocês são talentosos ao extremo e super competentes. Vão chegar logo em 1 milhão de inscritos. Parabéns!!! 🙂🙃👍🙌👏🥰❤️🙏🎹🎶

    Reply

  27. Thanks, so much, for uploading this separately from your recital at Ripon last July. I just find this piece so moving – and keep coming back to it. For any newcomers to your channel, they may find it interesting to hear you talk a bit about this piece before you play it (it's the second item on Jonathan's programme)! Best wishes to you both, as always. 🇺🇦

    Reply

  28. Gorgeous: I love this amazing piece by Bach!! Another video from my favourite (obviously!!!) concert. It was full of so many beautiful pieces of music. Another tour de force for you both Jonathan & Tom. Stunning views of the Cathedral & glorious recording again Tom – uplifting to say the least! Counting down the days to next week!!

    Reply

  32. Thank you, thank you for using varying registration throughout. Almost gave the Fantasie a Franck-esque quality. So tired of hearing Bach on huge organs with no use of changing registration that can add so much expression to Bach's music.

    Reply

  36. As always, a joy to watch and listen to the music produced by Jonathan Scott, a real master with superb talent. Thank you Tom for always producing excellent video. So greatly appreciative to you both.

    Reply

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