Andy Timmons' Keeley Halo – The Ultimate Delay Pedal?



For TrueFire courses and All Access Memberships: https://prf.hn/click/camref:1100lqzr3
Use the code JNC40 for a 40% discount.

I’m a big fan of Andy Timmons’ tones and playing, and so when this Halo pedal came out a few months back, I wanted to check it out, but the price was a bit prohibitive. The price in the UK at the time was around £319, though I think they can be found for about £285 now. My only “negative” might be that for that money, you could grab a Strymon Timeline used? And wouldn’t that cover this ground and a lot more?

Please leave a comment if you find this type of pedal demo/review useful, so that I know to keep making them!

https://www.patreon.com/johnnathancordy you can get my backing tracks and lesson tabs here.

https://www.buymeacoffee.com/johnnathancordy – if you like what I do and
only if you wanted, you could buy me a coffee!

Get my PADs bundle here: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=TVZN39QQAAKTG (this folder will grow, and I’d encourage you to ask for different keys/songs and stuff that might suit this type of preset?)

I’ve decided to make it possible to grab both my Helix/HX Stomp bundles (the expression bundle with freeze presets has always been separate) together for £5 – https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=CCTNL7P2XSQDC – I will then email you a link to both bundles!

Try my general patches for Helix or HX Stomp in this bundle for £3 using this link – I will then send out the patches! https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=45L8AZ4RYL3HW

You can get my EXPRESSION patches in this bundle using this link – I will then send out the patches! https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=3PUJ7M8YPS4WU

Try my patches for Pod GO for £3 using this link – I will then send out the patches! https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=2E7DSCRZW45JN

https://www.patreon.com/johnnathancordy get my backing tracks here

https://www.buymeacoffee.com/johnnathancordy – if you like what I do and
only if you wanted, you could buy me a coffee!

source

34 thoughts on “Andy Timmons' Keeley Halo – The Ultimate Delay Pedal?”

  1. https://youtu.be/NyOKXgi2NzY – here's my Halo build for Helix

    So – in the manual of the Halo – it claims to be the Ultimate Delay Pedal….Which. I really like it – BUT – what about the Strymon Timeline, Empress Echo System – Meris LVX – can't these do everything the Halo can do and more?

    13:48 Halo – is it you Lionel?

    Also – some important lessons I've learned from this about what the "Halo" delay thing actually is:

    -500ms – 375ms dual delay – BUT crucially with some cross feedback – this can't be achieved by just putting two delays in series?
    -Slow modulation that seems to be acting the same on both sides of the delay
    -Possibly a very small amount of diffusion
    -Panning doesn't seem to be super wide – maybe something like 50% to the Left and Right?

    Reply
  2. Have you tried replicating the halo with the criss cross of hx stomp? I'm trying with some nice results. It has the possibility of modulation and crossfeed. It can be the best algorhythm to try to achieve the halo maybe?

    Reply
  3. The presets for this thing have set the bar-best sounding I’ve heard. There are delays out there that do more, but its simplicity, versatility, form factor, and just the tone make it something hard to beat.

    Reply
  4. I do think the pedal is worth it just for the first preset. It's magical. But it can do other cool delays as well–more standard stuff I mean, but that sounds great.

    I haven't tried too hard to build the Halo delay on my FM9. I'm not sure if I'd use two delay blocks or one. But I'd guess you'd want some modulation and diffusion and possibly a little saturation on the repeats. And getting the level correct might be a little tricky since it seems to get out of the way a bit. Would love to see what you can come up with on the Fractal.

    Reply
  5. Seems like the only advantage this has over the timeline is the smaller size. No screen, less options and presets, and lack of a dedicated tap tempo button definitely make the timeline the better choice imo.

    Reply
  6. Closest I've gotten to this sound is with the tc flashback. If you set the delay type to tape, the subdivision to quarter + dotted eighth and then connect the mono out to the stereo in with a patch cable, you get the dotted eighth and quarter running in series on the "stereo" output. But the tc's lack of presets and no real tap tempo make the Halo look more appealing.

    Reply
  7. In regards to recreating this pedal with the Helix, I've mentioned this on a few other videos of yours, but I've found I can get really close running two transistor tape delays in series (dotted 1/8 into 1/4) with the same settings on both: wow/flutter set around 8, mix on the expression pedal going between 0-30%, and feedback to taste.

    Reply
  8. One thing Halo does excellently is saturation on repeats, whereas each repeat is more and more saturated. I wasn't able to recreate this anywhere. LVX has the means to do it, but it doesn't sound nearly as good. Haven't figured out a way to do it in HX Stomp at all. LVX has the rack delay and poly structure delays that can approximate the Halo effect. Not 1 to 1 but incredible sound nonetheless.

    Reply
  9. First time on the channel so I'm sure I'm missing context but I can't imagine as a guitar player risking using a huge knife like that to open a box as a bit. One slip and your guitar playing days are done.

    Reply
  10. There’s a really great thread on the Fractal forum where Robert Keeley and one of the engineers there post and explain how it works, including providing a block diagram of what it does. Someone made a preset replicating it. The Aurora delay to my ears doesn’t exactly do this. A big part of the sound is phase reversal, which gives you a wider than wide effect. Worth a read for sure.

    Reply
  11. . . . page 7 of the manual says how to kill the "dry" signal so it can be used in a parallel fx loop (e.g. HX Stomp).
    Well done Robert Keeley for including that feature which makes it useful beyond the traditional pedalboard set up.

    Reply

Leave a Comment