5 tips for composer studying orchestration!
π» How to Write EPIC Cinematic Strings https://youtu.be/tddq3sQ91Mk
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π» How to Write EPIC Cinematic Strings https://youtu.be/tddq3sQ91Mk
These are all really great tips! I love that they aren't just the standard tired tips, but really things that seem applicable to you and your writing development! Thank you!
Very cool watching your channel grow! Getting to that 100k soon!! Thanks for the great work
Tip 4 seems so obvious yet I canβt believe Iβve never approached it like that, awesome stuff!
I love your videos, they're just the right length and easy to understand, thank you!
It's funny how the example at 2:53 demonstrates the John Powell quote "trumpets are a percussion instrument".
I agree very much with writing the articulations and dynamics before orchestrating further.
I love these short, concise and valuable shortcuts.
Tip 4 is actually such a brilliant tip! So simple yet so refined!
I would love a video about the rhythmic elements found in the brass and woodwinds all over the star wars scores and so many others. When the composers seem to simply fill out the space but it has such an effect with all there chords in triplets, quintuplets and whatnot!
Thanks for the video!
I love tip #4 and reinforces something I've recently come to realize about my sketches. I can be pretty lazy about sketches but the more detailed I am the better the final result.
This channel is epic!
Alan Belkin described the oboe as "a bit of a prima donna" (I think I've got the quote right), which is both amusing and useful. "Naughty boy of the orchestra" makes the point even more emphatically.
Excellent work. π
Still the best channel idc what anyone says
great master… You is a great musician.. Many, many, many thanks….
Thanks so much for sharing this, Ryan. Cheers.
I totally agree that Alain Mayrands courses really are a game changer. They really do deserve the most attention and is really an investment. Would love an interview-video!
Great tips!!
Thank you!
I used these tips today for my Theory and Composition class today and it helped SO MUCH
Thanks Ryan, I love your videos! π I just ordered the books you recommended from my library
Very Helpful! Thank you, Ryan.
Your channel is amazing, thank you so much!
Thanks appreciate the wisdom π«‘π«‘
Rest in Peace John.
This video is so good, I can't wait for more orchestration videos!
πππ
Thank you for the tips, which are very valuable to me.
I have a direction to go first.
Amazing pearls of wisdom. As someone just starting out, albeit late in life, I'm enjoying your videos, learning so much and putting everything into practice to get better and better. (Also seeing another South Aussie creator is great too). I'm getting my manuscript book and pencil out. It's been a long time since high school music classes, but it's all coming back to me. Thank you so much for sharing your knowledge and experience with the community. "On the shoulders of giants…"
This is great stuff, Ryan! You've packed some real gems into a concise 5-minute video ππ»
I struggle with woodwinds for sure. Thanks for the helpful tips! I'm excited to think through, experiment and implement some of these.
This is all really excellent, thanks!
However, thereβs another, very-different approach, or perhaps βscenarioβ: In some cases, my entire motivation for a composition (or section) starts with timbre, or at least coincident with the melody.
For example, the entire point right from the start might be to portray a conversation between flute and clarinet, say, taken over by violin and viola.
In other words, itβs not always melody, then harmony, then orchestration.
Ryan your channel is getting better and better! Quality content.
i saw one video of yours that show and sheets and piano tabs in program together, its super helpful that! can you do that in all your video ? thank you!
Liked the video!!!
I'm actually surprised that the oboe is still such a standard in the orchestra. It is very "naughty boy", doesn't blend well, and doesn't have a sound that is as useful as the flute. (which is a very common sound in many genres)
The oboe is rarely used in other types of music and sometimes feels more like a legacy than anything else.
It might make more sense to add sax section and/or more clarinets (for lower ranges) and just dump the oboe. (Which is exactly what is being done in more modern types of music like jazz, big band, RnB, disco etc.)
Best video i watched today. Thank you!
Clarinet's clarino range also tends to stick out melodically in like mf or f so it can potentially enjoy the diva status of flutes and oboes.
Great content and tips Ryan. Thanks for all you do!