Here ia another version of the Overture to Ambroise Thomas’ ‘Raymond,’ this time played by the National Symphony Orchestra conducted by Boyd Neel. The recording was made in Kingsway Hall on 10-11 January 1945.
From Wikipedia: (Louis) Boyd Neel O.C. (19 July 1905 – 30 September 1981)…was born in Blackheath, London, and wanted to be a pianist as a child. His mother, Ruby Le Couteur, was a professional accompanist, and his father was an engineer.
Neel attended Osborne Naval College and then Dartmouth, and was commissioned in the Royal Navy. Soon after he was commissioned, the armed forces underwent a drastic reduction…and Neel left the navy to study medicine at Caius College, Cambridge. He qualified in 1930, and became House Surgeon and Physician at Saint George’s Hospital, London, and Resident Doctor at King Edward VII’s Hospital, London.
In 1930, while practising medicine, Neel studied music theory and orchestration at the Guildhall School of Music.
For Neel, at this stage, music was still a hobby. He conducted amateur groups and formed an orchestra of young professionals who he recruited in 1932 from the Royal Academy of Music and the Royal College of Music. The Boyd Neel London String Orchestra (later the Boyd Neel Orchestra) made its debut at the Aeolian Hall, London, on 22 June 1933…After the concert, Neel returned to his surgery and delivered a baby. The second concert, at the same venue, took place on 24 November 1933…On 18 December 1933 the orchestra was invited to broadcast by the BBC for the first time. When Decca offered Neel and the orchestra a contract, he left medicine to devote himself full-time to music.
On 16 February 1934 the orchestra performed a concert of chamber works by Ernest Bloch at the Aeolian Hall, conducted by the composer. Neel conducted the first music heard in the new Glyndebourne opera house in 1934, in private performances, at John Christie’s invitation…[In 1937] Neel and his orchestra were invited to the Salzburg Festival, for which Neel commissioned Britten’s Variations on a Theme of Frank Bridge. In 1939 Boyd Neel commissioned John Ireland’s three movement Concertino Pastorale for string orchestra… The orchestra toured Great Britain and Europe until the outbreak of war.
During World War II, Neel returned to medical work and the Navy, while continuing to conduct when time permitted. Britten wrote his Prelude and Fugue for 18 string instruments as a 10th birthday present to the Boyd Neel Orchestra in 1943…
After the war, Neel resumed his musical career, conducting for Sadler’s Wells Opera (’50 Rigolettos’ he recalled) from 1944 to 1946 and the D’Oyly Carte Opera Company for its 1947 and 1948 London seasons at Sadler’s Wells, performing the Gilbert and Sullivan operas.
Beginning in 1947, with the Boyd Neel Orchestra, he embarked on a series of world tours, playing in Australia, New Zealand, Canada and the United States, and appearing in festivals such as Edinburgh and Aix-en-Provence. Neel published a book about these experiences called The Story of an Orchestra in 1950. As well as modern works, the orchestra revived then seldom heard Baroque works by J S Bach, J C Bach, Handel, Vivaldi, Torelli and Geminiani, including the first ever recording of Handel’s Concerti Grossi, Op. 6.
In 1952 Neel accepted the post of Dean of the Royal Conservatory of Music at Toronto, Ontario. He served in this post for 18 years, reorganising and rebuilding the Faculty of Music at the University of Toronto. Soon after his appointment he formed the Hart House Orchestra in Toronto and toured with it extensively, at, among other events, the Brussels World’s Fair in 1958, the Aldeburgh Festival in 1966 and Expo ’67. After this, he became Artistic Director of the Sarnia Festival Opera House on Lake Huron.
After Neel’s departure to Canada, the Boyd Neel Orchestra was renamed the Philomusica of London and continues under that name today. Neel was awarded the C.B.E. in 1953 and was an honorary member of the Royal Academy of Music. He became a naturalized Canadian citizen in 1961.
In 1972, Neel was appointed an officer of the Order of Canada, ‘For his contribution to music education in Canada and his achievements as an artist and conductor.’
After his retirement, Neel worked on his memoirs, which were edited and published posthumously by his friend, J. David Finch. The book also includes an extensive discography of recordings of the Boyd Neel Orchestra and the National Symphony Orchestra conducted by Neel for Decca Records between 1934 and 1979. Neel died in Toronto at the age of 76.
I transferred this recording from Decca K 1299.
source
What a talented and multifaceted man he was.
Good to have several versions of this at the channel thank you, VS. Listeners may enjoy comparing another version you recently uploaded (which I think is particularly excellent) conducted by Percy Pitt at https://www.youtube.com/watch?v=24zEpW6NMvQ
I just listened to this and immediately after went to your Pitt upload. Amazing how two quite different performances can sound equally convincing! You can also hear the Decca recording has a brighter sound at the very highest frequencies. It must be something to do with the work Decca had been doing on Full Frequency recordings for the British War Department. Something to do with tracking German U-boats. But it led to the Decca FFRR system. Even so the old Columbia recording still is clear and good.
Best wishes from George
Fine and sparkling performance! I first became acquainted with Neel in his partnering with Curzon in Mozart's Piano Concerto in A major, K.488, on a Pearl CD.