I Need to Rethink Vemuram Pedals (I Thought They Were Too Expensive)



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00:00 I thought Vemuram were…expensive
00:19 price was the elephant in the room?
00:40 I spoke to a guy living in Tokyo
2:02 they really sound good?
4:19 how Vemuram first hit my radar
4:32 Paul C’s thoughts on “cloning”
5:27 I’d like to say the Ibanez SD9 sounds the same as a Vemuram Butter Machine
6:14 additional tone controls
6:22 Ibanez SD9 vs Vemuram Butter Machine
6:45 so not “just” cloning?
7:10 the brass enclosure must be expensive?
7:35 my own personal conflict with Vemuram…
8:00 Used prices are quite OKish
9:00 if you want these flavours of drive, you don’t have to spend huge money?

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35 thoughts on “I Need to Rethink Vemuram Pedals (I Thought They Were Too Expensive)”

  1. The only pedal sellers ripping us off are on reverb. The original manufacturers generally charge a fair price given the the work and research that goes in. They need to make a profit to stay in business long-term.

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  2. Issue with this kind of pedals is that there are just too many alternatives for better prices, looking at Way Huge, JRAD, Walrus or even MXR for example, and also for most guys it won't be a noticable improvement over what the "standard" version of the pedal does.
    About the prices being alright inside of Japan, that's not a useful take. Customers outside of Japan don't care about the prices being OK in Japan. These are all very basic overdrive pedals, which shouldn't cost 400€.

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  3. That SD9 still haunts my dreams. One moment it would work fine, one moment it wouldn't. Change the electricity switch transistors. Would work fine, come back the next day and didn't work. Change electrolytic caps, would work. Come back the next day, wouldn't work … Etc etc

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  4. I run a Jan Ray and Butter on weekly gigs. (Designed for live playing imo) They are worth the money. I’m sure the case material jacks up the price and cuts down on noise. The pedals are dialed in and if not exactly tweak the mini pots. We can all get things done with junk. Getting that extra 3% is worth it to certain people. 😊

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  5. Vemuram is new to me, so thanks for the pointer. The crew at FreeStompBoxes have posted a traced schematic of the Butter Machine. I may be missing something, but the gain section (which determines the distortion character) is basically identical to the SD9 (but the diodes aren't identified; that could potentially be important). Compared to the SD9, there is a bit of high cut at the input, which will affect the distortion character, but which is something you could do with the SD9 and an EQ pedal. The tone control is altered to have a different frequency response. The trimmable EQ (described as a low-mid boost and 6 kHz boost @ Vemuram's site), is completely after the gain stage. I don't see anything that should significantly affect dynamics/headroom, except maybe having less highs in the gain stage (though maybe the diode choice is exotic). It could be interesting to see if a bit of EQ before & after an SD9 could breath new life into it, perhaps mimicking what John experiences with the Vemuram. —Tom

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  6. Great Video, John!
    The Jan Ray is my favourite OD. Period. And i‘ve tried a lot (different Timmy Versions as well). The Jan Ray is super smooth and has that „spongy“ feel under the fingers.
    It stacks super well with the King Of Tone (Jan Ray before) as well.

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  7. I honestly think you would be better watching some electronic videos to see how these things work. Been playing since the sixties and was delighted when I sold my Colour Sound fuzz ror £400 a few years ago. Still got my original MXR script logo distortion +in it's box if you want to try.

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  8. The Jan Ray is nearly a part for part clone of the Timmy, with less versatility. There are no meaningful differences to justify that price, especially when the original is readily available.

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  9. I tried the Vemuram pedals in a store. Plan was too buy the Butter Machine. But … I didn’t like them … There was too much ‘presence’. The Nordland ODR-C is the same quality but way more versatile. Never found anything lacking on an original Timmy (also love the Lovepedal OD11). Never found a good alternative for a SD9.

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  10. A true testament would be to do a gig with a pedal board with pedals worth no more than £100.. see if the audience can tell the difference.
    I'm sure these pedals and the like are very nice but I've done many gigs without boutique pedals.

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  11. Their website shows 13 out of 18 pedals as discontinued. They haven't been on my radar until the last few months, so I don't know if this is SOP for the company. 218 "Vemuram" items on Reverb, so there seems to be a healthy supply of them. I could be tempted by the SD-9 version (Butter Machine?). I've always considered the SD-9 as an "almost but not quite: pedal for me.

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  12. You remind me of that song

    L'opportuniste
    Chanson de Jacques Dutronc

    Je suis pour le communisme
    Je suis pour le socialisme
    Et pour le capitalisme
    Parce que je suis opportuniste
    Il y en a qui contestent
    Qui revendiquent et qui protestent
    Moi je ne fais qu'un seul geste
    Je retourne ma veste, je retourne ma veste
    Toujours du bon côté
    Je n'ai pas peur des profiteurs
    Ni même des agitateurs
    J'fais confiance aux électeurs
    Et j'en profite pour faire mon beurre
    Il y en a qui contestent
    Qui revendiquent et qui protestent
    Moi je ne fais qu'un seul geste
    Je retourne ma veste, je retourne ma veste
    Toujours du bon côté
    Je suis de tous les partis
    Je suis de toutes les party
    Je suis de toutes les coteries
    Je suis le roi des convertis
    Il y en a qui contestent
    Qui revendiquent et qui protestent
    Moi je ne fais qu'un seul geste
    Je retourne ma veste, je retourne ma veste
    Toujours du bon côté
    Je crie vive la révolution
    Je crie vive les institutions
    Je crie vive les manifestations
    Je crie vive la collaboration
    Non, jamais je ne conteste
    Ni revendique ni ne proteste
    Je ne sais faire qu'un seul geste
    Celui de retourner ma veste, de retourner ma veste
    Toujours du bon côté
    Je l'ai tellement retournée
    Qu'elle craque de tous côtés
    À la prochaine révolution
    Je retourne mon pantalon

    Reply
  13. If it inspires you to play, then follow what your heart desires. Have I played a vemuram peda? Not yet. Have I played absurdly expensive boutique gear before? Yes, I have, and I have spent stupid amounts of money on it as well. However, what you lose upfront, you wind up saving in the long term because that's less flopping around gear. Figured that one out with a Suhr and an Amplified Nation amp. I stopped buying guitars in 2022 thanks to the Suhr and do not desire another amp. If vemuram has that effect with pedals, I say go for it.

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  14. I've never played a real Vemuram pedal. But I built a Jan Ray clone from a PCB available online. It really didn't remind me much of a Timmy, even though the circuits has a ton in common. And the Jan Ray clone had so much level – a great enhancement. Really let you use it as a flexible boost (more or less drive, tone shaping, etc.).

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  15. I spent years ripping on the Jan Ray for all its daft marketing and suggestions that the brass case changes the sound. I still don't believe that stuff – it's obviously a load of crap. But I got a well-priced used one on a trip to Japan in 2019 and it's been one of my nailed-on favourites ever since…

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  16. Glad to see this they are brass enclosures and well built. You can buy one on reverb for 250 that’s not a ripoff. The janray isn’t a Timmy it definitely sounds a little different but obviously with transparent overdrives they’ll sound similar.

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  17. Glad to see this question,they are brass enclosures and well built. You can buy one on reverb for 250 that’s not a ripoff. The janray isn’t a Timmy it definitely sounds a little different but obviously with transparent overdrives they’ll sound similar.

    Reply

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