Clemens Krauss conducts the Vienna Philharmonic Orchestra in the Overture to ‘Il Seraglio,’ recorded in Vienna on 29 January 1931.
Even at this late stage of Western Electric recording, the quality of many European recordings seems to have been inferior to those produced at Hayes. This disc is typical, with a top that becomes brittle when the volume level increases and reduced bass.
From Wikipedia: Clemens Heinrich Krauss (31 March 1893 – 16 May 1954) was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner.
Krauss was born in Vienna…
Krauss sang in the Hofkapelle (Imperial Choir) as a Vienna Choir Boy. He graduated from the Vienna Conservatory in 1912, after studying composition with Hermann Graedener and theory with Richard Heuberger there. He was then appointed chorus master in the Brünn Theatre, Moravia, (1912-1913), where he made his conducting debut in 1913. The Romanian soprano Viorica Ursuleac, who often sang under him, became his second wife.
Krauss made the rounds of regional centers, conducting in Riga (1913-1914), Nuremberg (1915) and Stettin (1916-1921) in Pomerania, Germany. The latter appointment gave him ample opportunity to travel to Berlin to hear Arthur Nikisch conduct the Berlin Philharmonic, a major influence. He then returned to Austria as director of the opera and symphony concerts in Graz. In 1922, he joined the conducting staff of the Vienna State Opera and teacher of the conducting class in the Vienna Singakademie. He conducted the Vienna Tonkünstler concerts from 1923 to 1927, and was Intendant of the opera in Frankfurt and director of the Museum concerts there from 1924 to 1929.
He guest-conducted in the United States in 1929, with the Philadelphia Orchestra and New York Philharmonic. Also in 1929, he was appointed director of the Vienna State Opera. Its orchestra, whose members formed an independent concert entity known as the Vienna Philharmonic, appointed him its music director in 1930. He was a regular conductor at the Salzburg Festival from 1926 to 1934, where in 1930 he conducted Alban Berg’s avant-garde atonal opera Wozzeck.
Krauss gave up his Vienna positions in 1933-34 to direct the Berlin State Opera in 1935 after Erich Kleiber had resigned in protest against National Socialist government policies. In 1933, he took over the preparations for the premieres of Richard Strauss’s opera Arabella after the departure of conductor Fritz Busch. Krauss’s own position on National Socialism was unclear, although he did enjoy a close relationship with government official Alfred Frauenfeld and it has been claimed that he sought Party membership in 1933. However, throughout the 1930s he and his wife were involved in helping Jews escape from Germany. After befriending British novelist Ida Cook and her sister Mary, both opera fans, he gave cover to their smuggling operation (started after Viorica asked the Cooks to assist a Jewish friend). Munich Opera House shows were arranged around the times and cities that the Cooks needed to make contact with escapees.
In 1937, he was appointed Intendant of the National Theatre Munich following Hans Knappertsbusch’s resignation. He became a close friend of Richard Strauss, and even wrote the libretto for his opera Capriccio which he premiered in Munich in 1942. He also conducted the premieres of Strauss’s operas Friedenstag and Die Liebe der Danae. During the early 1940s, he taught at the Mozarteum University of Salzburg where among his pupils was composer Roman Toi.
After the Munich opera house had been destroyed by Allied bombing, Krauss returned to conduct the Vienna Philharmonic in 1944-45 until it ceased activities shortly before the end of World War II. After the war, Allied officials investigated his career and forbade him from appearing in public until 1947, when it emerged that he had helped Jews escape from the Third Reich. Krauss then resumed conducting many of the Vienna Philharmonic’s concerts, including its famous annual New Year’s Day pops concerts featuring Johann and Josef Strauss waltzes, overtures and polkas, many of which were recorded for Decca along with other studio recordings of mostly Johann, Josef and Richard Strauss.
He conducted opera at Covent Garden in London starting in 1951, and at the 1953 Bayreuth Festival…
He died in 1954…while on tour with the Vienna Philharmonic in Mexico City, and is buried alongside his wife, singer Viorica Ursuleac, who died in 1985, in Ehrwald, Austria.
I transferred this recording from a laminated Australian pressing of HMV C 2194.
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Never mind the rather unhappy recording as such, I really enjoyed this vigorous performance. Vigorous for sure, but also not over-driven and nicely reflective here and there. Vienna always seems to have a grand tradition of Mozart performance. I suppose it was more or less a continuous performance tradition going right back to Mozart's time one way and another.
Best wishes from George